Technoscientific anthropophagy: devouring some ideas

Abstract

If you were tempted to devour technological gaps around you with any pedagogy of hope, and someone arrogantly might have said: don't hold your breath. Or if you still want to insist, someone might say go jump in the lake. Don't be upset, be it culturally and metaphorically anthropophagic: wait while sitting on the sculpture “After the Bath”, carved in soapstone by the Swedish artist Pye Engström, located in Stockholm, Sweden. In this sculpture, an enigmatic and controversial couch, "until now", Brazilian educator Paulo Freire is portrayed sitting next to Swedish-Norwegian journalist and sex educator Elise Ottesen-Jensen, next to Swedish author and public debater Sara Lidman, near to Chinese Communist leader Mao Zedong, close to American scholar, close to human rights activist and feminist Angela Davis, to Swedish American scholar and environmentalist Georg Borgström and Chilean poet, diplomat and politician Pablo Neruda. Pulling Bishop Sardinha to our side, Chico Cesar praised our greatest technoscientific inventor: Alberto Santos Dummond was the father of aviation, hovering between man and god, an angel who rose between the ground and the sky to see what it is. good, soared in the sky on a paper plane, flying with one hand, the other saying goodbye.